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» » J.S. Bach, Isabelle Faust ∙ Kristian Bezuidenhout - Sonatas For Violin & Harpsichord
J.S. Bach, Isabelle Faust ∙ Kristian Bezuidenhout - Sonatas For Violin & Harpsichord flac album
Title:

J.S. Bach, Isabelle Faust ∙ Kristian Bezuidenhout - Sonatas For Violin & Harpsichord flac album

Performer:
Album:
Sonatas For Violin & Harpsichord
Released:
Genre:
Style:
Baroque
MP3 archive size:
1495 mb
FLAC archive size:
1731 mb
Other formats:
AU MP2 MP1 DMF XM AAC WAV
Rating:
4.9
Votes:
729

Tracklist

Sonata I BWV 1014 In B Minor
1-1 I. Adagio 3:10
1-2 II. Allegro 2:56
1-3 III. Andante 2:50
1-4 IV. Allegro 3:08
Sonata II BWV 1015 A Major
1-5 I. [Largo] 2:58
1-6 II. Allegro 2:56
1-7 III. Andante Un Poco 2:42
1-8 IV. Presto 4:12
Sonata III BWV 1016 E Major
1-9 I. Adagio 3:45
1-10 II. Allegro 2:58
1-11 III. Adagio Ma Non Tanto 4:10
1-12 IV. Allegro 3:40
Sonata IV BWV 1017 C Minor
2-1 I. Largo 4:01
2-2 II. Allegro 4:47
2-3 III. Adagio 2:43
2-4 IV. Allegro 4:44
Sonata V BWV 1018 F Minor
2-5 I. [Largo] 6:23
2-6 II. Allegro 4:38
2-7 III. Adagio 2:22
2-8 IV. Vivace 2:30
Sonata VI BWV 1019 G Major
2-9 I. Allegro 3:22
2-10 II. Largo 1:32
2-11 III. Allegro 4:37
2-12 IV. Adagio 2:59
2-13 V. Allegro 3:22

Companies, etc.

  • Phonographic Copyright (p) – Harmonia Mundi Musique S.a.s.
  • Copyright (c) – Harmonia Mundi
  • Copyright (c) – Detlev Schneider
  • Made By – Sony DADC – A0102966011-0102
  • Made By – Sony DADC – A0102966013-0202
  • Recorded At – Teldex Studio, Berlin

Credits

  • Cover [Couverture] – Detlev Schneider
  • Directed By [Direction Artistique] – Martin Sauer
  • Edited By [Montage] – Martin Sauer
  • Engineer [Prise De Son] – René Möller
  • Fortepiano – Kristian Bezuidenhout
  • Liner Notes – Kristian Bezuidenhout, Peter Wollny
  • Liner Notes [Traduction] – Bertrand Vacher
  • Liner Notes [Translation] – Charles Johnston
  • Technician [Fortepiano] – Simon Neal
  • Violin – Isabelle Faust

Notes

Comes in 3-panel digipack with separate 24-page booklet
Liner notes in French, English and German

All information about credits, recording location and cover in French:
- "Enregistrment: 18-24 août 2016, Teldex Studio Berlin"
- "© harmonia mundi pour l'ensemle des textes et des traductions"
- "Photo couverture: © Detlev Schneider"
- "harmonia mundi s.a.s., Médiapôle Saint-Césaire - 13200 Arles ℗ 2017 Made in EU"

Total Time 1h27'39

Barcode and Other Identifiers

  • Barcode (Text): 3 149020 225622
  • Barcode (String): 3149020225622
  • Label Code: LC 7045
  • Matrix / Runout (Disc 1): Sony DADC A0102966011-0102 11 A00
  • Matrix / Runout (Disc 2): Sony DADC A0102966013-0202 12 A00
  • Mastering SID Code (Disc 1): IFPI L551
  • Mastering SID Code (Disc 2): IFPI L552
  • Mould SID Code (Disc 1): IFPI 944T
  • Mould SID Code (Disc 2): IFPI 946Q

Album · 2018 · 25 Songs. Following her award-winning set of the Mozart violin concertos, the German is joined by the ever-stylish keyboard player Kristian Bezuidenhout for Bach’s sonatas for violin and harpsichord. Both instruments sound magnificent, and these two great players bring breathtaking invention and imagination to the six sonatas. The humanity and warmth of Bach’s music is extraordinary, especially when played with the passion and flair encountered here. Bach: Sonatas for Violin and Harpsichord Isabelle Faust.

Isabelle Faust has never cultivated the whale-boned red-carpet glamour that many female soloists feel obliged to pursue. On stage and off, the German violinist's manner is relaxed, her style understated. She sports a gamine, Jeanne d'Arc crop and, save for the tell-tale violinist's love-bite just below her jaw, you might guess her to be an architect or an academic. The stillness of focus and purity of sound that has distinguished her playing can. Personnel: Isabelle Faust (violin) Kristian Bezuidenhout (harpsichord). PERFORMER: auCDtect Task Manager, ver.

Bach: Sonatas for Violin and Harpsichord. Isabelle Faust & Kristian Bezuidenhout. Isabelle Faust captivates her listeners through her insightful and faithful interpretations, based on a thorough knowledge of the historical context of the works as well as her attention to current scholarship

Allegro Johann Sebastian Bach; Isabelle Faust; Kristian Bezuidenhout. 3. III. Andante Johann Sebastian Bach; Isabelle Faust; Kristian Bezuidenhout. 4. IV. Allegro Johann Sebastian Bach; Isabelle Faust; Kristian Bezuidenhout. Sonata No. 2 in A Major, BWV 1015. These duets for three voices performed by Isabelle Faust and Kristian Bezuidenhout see . Bach at a compositional ideal. The rare sonatas for violin and obbligato harpsichord in this recording are testaments to the Baroque composer's synthesis of counterpoint, melody and harmony. 96 kHz, 24-bit PCM – harmonia mundi Studio Masters. For Your Consideration More ▸. Vivaldi: L'incoronazione di Dario Anders J. Dahlin; Sara Mingardo; Delphine Galou; Riccardo Novaro; Roberta Mameli; Lucia Cirillo; Sofia Soloviy; Giuseppina Bridelli; Accademia Bizantina; Ottavio Dantone.

Isabelle Faust, Kristian Bezuidenhout. Bach: Sonatas for Violin and Harpsichord. Faust and Bezuidenhout come together to tackle Bach's six wonderfully diverse contributions to the violin repertoire. They approach the works with true style, combining intellectual integrity with evident enthusiasm and tonal precision. Johann Sebastian Bach. Isabelle Faust, Kristian Bezuidenhout. What can I listen to here?

Home Label Harmonia Mundi . Bach, Johann Sebastian. Duet for three voices Trio writing enabled Baroque composers to test their ability to synthesise counterpoint, melody and harmony – a compositional ideal never so perfectly achieved as by Bach in these rare Sonatas for violin and obbligato harpsichord, which he constantly revised throughout his life. Isabelle Faust Kristian Bezuidenhout.

This new recording of Bach’s six sonatas for violin and obbligato harpsichord is a cause for celebration. In his contribution to the booklet notes, Kristian Bezuidenhout dwells on the influence of the double-manual harpsichord by Michael Mietke, which Bach had at his disposal in Cöthen, on the master’s subsequent instrumental writing: The sophistication of this Mietke sound (and that of similar instruments of the time by Gräbner) galvanises Bach into unlocking previously undreamt of realms of keyboard colour. For this recording, Bezuidenhout appropriately borrows Trevor Pinnock’s John Phillips harpsichord after Johann Heinrich Gräbner (1722), a marvellous example of the large, middle-German instruments of which Bach was so fond. It complements Isabelle Faust’s 1658 Jacobus Stainter to a tee.