Bob Dylan - Oh Mercy flac album
|A2||Where Teardrops Fall||2:30|
|A3||Everything Is Broken||3:12|
|A4||Ring Them Bells||3:00|
|A5||Man In The Long Black Coat||4:30|
|B1||Most Of The Time||5:01|
|B2||What Good Am I?||4:45|
|B3||Disease Of Conceit||3:41|
|B4||What Was It You Wanted||5:02|
NotesPROMOTIONAL COPY - NOT FOR SALE
|OC 45281, C 45281||Bob Dylan||Oh Mercy (LP, Album)||Columbia, Columbia||OC 45281, C 45281||US||1989|
|01-465800-10||Bob Dylan||Oh Mercy (Cass, Album)||CBS, Uzelli||01-465800-10||Turkey||1989|
|465800 1||Bob Dylan||Oh Mercy (LP, Album)||CBS||465800 1||UK||1989|
|CK 45281||Bob Dylan||Oh Mercy (CD, Album)||Columbia||CK 45281||Unknown|
|512343 6, COL 512343 6, 5123436000||Bob Dylan||Oh Mercy (SACD, Hybrid, Album, RE, RM, Dig)||Columbia, Columbia, Columbia||512343 6, COL 512343 6, 5123436000||Europe||2003|
Oh Mercy is the 26th studio album by American singer-songwriter Bob Dylan, released on September 18, 1989 by Columbia Records. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in the UK.
Liner notes: Oh Mercy Released 09/12/1989. Bob Dylan - Vocal, Guitar Daniel Lanois - Dobro Mason Ruffner - Guitar Brian Stoltz - Guitar Tony Hall - Bass Cyril Neville - Percussion Willie Green - Drums. Where Teardrops Fall. Bob Dylan - Vocal, Piano Daniel Lanois - Lap Steel Paul Synegal - Guitar Larry Jolivet - Bass Alton Rubin, Jr. - - Scrub Board John Hart - Sax Rockin' Dopsie - Accordion.
Design – Christopher Austopchuk. Mastered By – Greg Calbi. Mixed By – Daniel Lanois, Malcolm Burn. Photography By – Suzie-Q. Producer – Daniel Lanois. Recorded By – Malcolm Burn, Mark Howard. Typography – Mark Burdett. Oh Mercy (LP, Album, Ltd, RE, 180). 4 Men With Beards, Sony Music Entertainment. 4m815, 88697862421-S1. Oh Mercy (LP, Album).
The second half of Oh Mercy is notable for its sustained moodiness and resignation, often in relation to romantic dissolution This is immediately apparent on the atmospheric "Most of the Time", which features the richest production on the album Described as "magisterial" by Allan Jones of Melody Maker,citation needed the narrator in "Most of the Time" sings of an estranged lover whom.
Oh Mercy was hailed as a comeback, not just because it had songs noticeably more meaningful than anything Bob Dylan had recently released, but because Daniel Lanois ' production gave it cohesion. There was cohesion on Empire Burlesque, of course, but that cohesion was a little too slick, a little too commercial, whereas this record was filled with atmospheric, hazy production - a sound as arty as most assumed the songs to be.
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