Melora's Revenge - I'm Coming flac album
|A1||I'm Coming (Deep Groove Mix)|
|A2||I'm Coming (Essential Groove Mix)|
|B1||I'm Coming (Different Purpose Mix)|
|B2||I'm Coming (Morphing Mix)|
|MTR-2004||Melora's Revenge||I'm Coming (12", Promo)||Mantra Vibes||MTR-2004||Italy||1995|
|MTR 2004||Melora's Revenge||I'm Coming (12", TP, W/Lbl, Wit)||Mantra Vibes||MTR 2004||Italy||1995|
Melora's Revenge – I'm Coming Etichetta: Mantra Vibes – MTR 2004 Formato: Vinyl, 12", 33 ⅓ RPM Paese: Italy Uscita: 10 Jul 1995 Genere: Electronic Stile: Tribal House, Tech House. I'M Coming (Different Purpose Mix). Expanded Music Srl (от лица компании "Expanded Music Srl").
I'm Coming Home is an album by American pop singer Johnny Mathis that was released on September 21, 1973, by Columbia Records and was mainly composed of material written by the songwriting team of its producer, Thom Bell, and Linda Creed. Unlike several of the Mathis albums before it, I'm Coming Home relied primarily on new songs and included only two covers of established chart hits, both of which were by The Stylistics ("I'm Stone in Love with You" and "Stop Look and Listen to Your Heart").
Where I'm Coming From is a 1971 album by Stevie Wonder. The album was released by Motown Records on April 12, 1971 and peaked on the Billboard Pop Albums at and on the Billboard R&B Albums Chart at All nine songs were written by Wonder and Motown singer-songwriter Syreeta Wright, his first wife. It was the last album produced under his first contract with Motown Records. Including live albums, this is Stevie Wonder's fifteenth album overall, and thirteenth studio album.
Here Comes Revenge (оригинал Metallica). Вот и месть (перевод Лиса). Little grave I'm grieving, I will mend you. Маленькую могилу, над которой я скорблю, я исправлю. Sweet revenge I'm dreaming, I will end you. Я прикончу тебя сладкой местью, о которой так мечтаю. I've been here since dawn of time.
This 1967 album recorded for Limelight finds Art Blakey without his Jazz Messengers, and in a variety of studio settings, in an attempt to record a commercially viable crossover jazz record. The results are mixed, though the playing on most of the album is quite fine. Arranged by Melba Liston and Tom McIntosh and produced by Luchi DeJesus (a pseudonym?), these 11 tracks feature Blakey playing the hits of the day, such as the Lovin' Spoonful's "Day Dream," .
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