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» » The Smashing Pumpkins - Machina / The Machines Of God
The Smashing Pumpkins - Machina / The Machines Of God flac album
Title:

The Smashing Pumpkins - Machina / The Machines Of God flac album

Album:
Machina / The Machines Of God
Country:
Released:
Genre:
Style:
Alternative Rock
MP3 archive size:
1508 mb
FLAC archive size:
1319 mb
Other formats:
MP2 WAV AAC VQF TTA AUD AHX
Rating:
4.6
Votes:
213

Tracklist Hide Credits

1 The Everlasting Gaze 4:00
2 Raindrops + Sunshowers 4:39
3 Stand Inside Your Love 4:14
4 I Of The Mourning 4:37
5 The Sacred And Profane 4:22
6 Try, Try, Try 5:09
7 Heavy Metal Machine 5:52
8 This Time 4:43
9 The Imploding Voice 4:24
10 Glass And The Ghost Children 9:56
11 Wound 3:58
12 The Crying Tree Of Mercury 3:43
13 With Every Light
Piano – Mike Garson
3:56
14 Blue Skies Bring Tears 5:45
15 Age Of Innocence 3:55

Companies, etc.

  • Copyright (c) – Virgin Records America, Inc.
  • Copyright (c) – The Smashing Pumpkins
  • Marketed By – Virgin Records Ltd.
  • Distributed By – EMI Music South Africa (Pty) Ltd.
  • Recorded At – Pumpkinland
  • Recorded At – The Village Recorder
  • Mixed At – Chicago Recording Company
  • Mixed At – Pumpkinland
  • Mixed At – Whitfield Street Studios

Credits

  • Compiled By, Edited By [Digital Editing], Programmed By [Additional Programming] – Bjorn Thorsrud
  • Mastered By – Howie Weinberg
  • Mixed By – Alan Moulder (tracks: 1 to 4, 6 to 9, 11, 12, 15), Billy Corgan, Bjorn Thorsrud (tracks: 5, 10, 13, 14), Flood, Howard Willing (tracks: 5, 10, 13, 14)
  • Mixed By [Assisted By] – Andrew Nicholls*, Bill Douglass , Erin Piepergerbes, Jef Moll, Mike Zainer
  • Producer – Flood
  • Producer, Written-By – Billy Corgan
  • Recorded By – Bjorn Thorsrud, Howard Willing
  • Technician [Technical Assistance] – Scott Schimpff, Tim "Gooch" Lougee*, Tommy Lipnick

Notes

Made in R.S.A. on back cover

Released in clear jewel case with clear tray & 28 page booklet

Recorded at Pumpkinland except "Age Of Innocence" recorded at The Village Recorder.
Mixed at Chicago Recordings Company except track 5, 10, 13 & 14 mixed at Pumpkinland. "Age Of Innocense" mixed at Whitfield Street Studio.

Mix assisted by Bill Douglass at Chicago Recordings Company, Mike Zainer at The Village Recorder, Jef Moll & Erin Piepergerbes at Chicago Recordings Company, and Andrew Nicholls at Whitfield Street Studios.

Barcode and Other Identifiers

  • Barcode (Text): 6 002140 930632
  • Barcode (String): 6002140930632
  • Matrix / Runout: EMI UDEN 8489362 @ 1
  • Mastering SID Code: IFPI L048

Other versions

Category Artist Title (Format) Label Category Country Year
7243 8 48936 2 0 The Smashing Pumpkins Machina / The Machines Of God ‎(CD, Album) Virgin 7243 8 48936 2 0 US 2000
VJCP-68165 The Smashing Pumpkins Machina / The Machines Of God ‎(CD, Album) Virgin VJCP-68165 Japan 2000
724384893644, HUTMC 59 The Smashing Pumpkins Machina / The Machines Of God ‎(Cass) Virgin, Hut Recordings 724384893644, HUTMC 59 Bulgaria 2000
7243 8 48936 2 0, CDHUT 59 The Smashing Pumpkins Machina / The Machines Of God ‎(CD, Album) Virgin, Hut Recordings 7243 8 48936 2 0, CDHUT 59 Europe 2000
7243 8 48936 2 0, CDHUT 59, Cdphut 59 The Smashing Pumpkins Machina / The Machines Of God ‎(CD, Album + CD, EP, Promo) Virgin, Hut Recordings, Hut Recordings 7243 8 48936 2 0, CDHUT 59, Cdphut 59 Europe 2000


Machina/The Machines of God is the fifth studio album by the American alternative rock band The Smashing Pumpkins, released on February 29, 2000, by Virgin Records. A concept album, it marked the return of drummer Jimmy Chamberlin and was intended to be the band's final official LP release prior to their first break up in 2000. A sequel album - Machina II/The Friends & Enemies of Modern Music - was later released independently via the Internet, and limited quantities for the physical version.

Any record called MACHINA/The Machines of God couldn't be a pure rock album. As it happens, MACHINA is a lot progressive. Though it's damn near impossible to figure out the story line, the album plays like a concept album, with each track floating into the next, winding up with an album artier than Adore. That's not a liability, since the Smashing Pumpkins were always arty, yet Billy Corgan was very clever in camouflaging his artiness

15 Songs, 1 Hour 13 Minutes. Released: 29 Feb 2000. 2000 Virgin Records America Inc and The Smashing Pumpkins. More By Smashing Pumpkins. See All. Mellon Collie and the Infinite Sadness (Remastered).

On their fifth album, the Pumpkins attempt to reclaim the higher ground they dominated with the peerless Siamese Dream and the sprawling 28-track opus Mellon Collie and the Infinite Sadness. As a result, they hit the ground running on Machina, exploding into life with "The Everlasting Gaze" and its firestorm of guitars and heavy metaphysical thunder. There are some quintessential Pumpkins moments here, notably "Stand Inside Your Love," which soars away on a spiraling guitar solo, and "Try, Try, Try," which taps into Corgan's ever-present melancholy. Exclusive discount for Prime members. Sample this album Artist (Sample).

Zeitgeist by The Smashing Pumpkins. View all albums . Machina, The Machines Of God. By: The Smashing Pumpkins ( 2000, Rock ) Download album. 1. The Everlasting Gaze. 2. Raindrops + Sunshowers. 3. Stand Inside Your Love. 4. I Of The Mourning. 5. The Sacred And Profane.

Painting – Vasily Kafanov. Performer – Billy Corgan, D'Arcy, James Iha, Jimmy Chamberlin. Producer – Billy Corgan, Flood. Recorded By – Bjorn Thorsrud, Howard Willing. Technician – Scott Schimpff, Tim "Gooch" Lougee, Tommy Lipnick. Written-By – Billy Corgan.

His songs on the Smashing Pumpkins’ fifth album, Machina: The Machines of God, are all about redemption, commercial and personal, and they deliberately scramble any distinctions among romance, rock stardom and religion. With chutzpah or reverence, the band has even redrawn its logo, with the S and P next to an honest-to-Jesus cross. At first hearing, Machina comes across as a rebound album. Adore, the Pumpkins’ 1998 record, was the kind of dud that every major band seems to need: A big, wrongheaded project, repudiated by all but diehard fans, the dud - like U2’s Rattle and Hum or Pearl Jam’s No Code - proves that a band is following artistic impulses. In the end, it provides liposuction for a band’s bloated self-esteem.