Renato Bruson - Macbeth flac album
|A1||F.P. Tosti Ideale|
|A2||F.P. Tosti Vorrei Morir|
|A3||F.P. Tosti Tristezza|
|A4||F.P. Tosti Pulcinella E'morto|
|B1||Donizetti Me Vojo Fa'na Casa|
|B2||Gluck O Del Mio Dolce Ardor|
|B3||Martini Plaisir D'Amour|
NotesMacbeth: Fatal mia donna (Sylvia Sass)
Unofficial record released in Italy. Not under a label
Renato Bruson sings Macbeth with passion and credibility on the charater however, Mara Zampieri's voice is not on the top of my list for a Lady Macbeth. Her tone-color (voice) is just a little anoying. Renato Bruson is a great Macbeth. I prefer Sherrill Milnes (Muti) only slightly because he has the younger voice and sounds more callow and ambitious. Bruson's beautiful baritone is also powerful and more mature and it would be silly to compare two great performances against one another.
Cupidity and madness at the heart of this solemn production of Macbeth by Luca Ronconi. operaVerdi's MacbethLuca Ronconi, Giuseppe Sinopoli – With Renato Bruson (Macbeth) and Mara Zampieri (Lady Macbeth) – Deutsche Oper Berlin, 1987. Luca Ronconi, Giuseppe Sinopoli – With Renato Bruson (Macbeth) and Mara Zampieri (Lady Macbeth) – Deutsche Oper Berlin, 1987. Verdi's Macbeth Luca Ronconi, Giuseppe Sinopoli – With Renato Bruson (Macbeth) and Mara Zampieri (Lady Macbeth) – Deutsche Oper Berlin, 1987. Cupidity and madness at the heart of this solemn production of Macbeth by Luca Ronconi.
Album · 2000 · 9 Songs. By Giuseppe Verdi & Giuseppe Verdi - Renato Bruson, Francesca Patané & Elisabetta Maschio. 2. Giuseppe Verdi: Tutte le feste al tempio. By Giuseppe Verdi & Giuseppe Verdi - Roberta Canzian, Renato Bruson & Elisabetta Maschio. 3. Francesco Paolo Tosti: La serenata. Renato Bruson & Elisabetta Maschio.
Listen to Renato Bruson Verdi: Macbeth, Act 4 - Scena ed Aria: "Perfidi!" - "PietÃ, rispetto, amore" MP3 song. Verdi: Macbeth, Act 4 - Scena ed Aria: "Perfidi!" - "PietÃ, rispetto, amore" song from the album Verdi: Macbeth ( 3 CDs) is released on Apr 2007. The duration of song is 05:58. This song is sung by Renato Bruson.
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Renato Bruson (a splendid Macbeth in the Philips recording conducted by Giuseppe Sinopoli)is in fine voice, but his characterisation is generalised. Even Macbeth’s dying utterance, ‘Mal per me’, fails to be at all moving. Gwyneth Jones’s Lady Macbeth sounds more than a trifle squallyin her first aria, lacks dramatic intensity in that marvellous banquet scene interrupted by Banquo’s ghost, and only becomes really effective in her sleepwalking scene near the end of the opera
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