The Dave Robbins Group, Lance Harrison Dixieland Band - Jazz From Canada flac album
|A1||–The Dave Robbins Group||Prom To Prom|
|A2||–The Dave Robbins Group||The Duke|
|A3||–The Dave Robbins Group||There'll Never Be Another You|
|A4||–The Dave Robbins Group||Fascinating Rhythm|
|B1||–Lance Harrison Dixieland Band||Collegiate Sam|
|B2||–Lance Harrison Dixieland Band||Sweet Substitute|
|B3||–Lance Harrison Dixieland Band||Don't Leave Me Daddy|
|B4||–Lance Harrison Dixieland Band||The Gastown Stomp|
NotesDie-cut beige & brown generic CBC cover
This Record (Programme 1 & Programme2) was Part of a "7 LP (14 Programme) Box Set" titled "Jazz From Canada" (with Blue lettering)....A French Version titled "Jazz du Canada) was also avail. (with Green lettering)....Both Versions had a slightly different track list.
Barcode and Other Identifiers
- Matrix / Runout: MB-7956
- Matrix / Runout: MD-7957
The Dave Robbins Group, Lance Harrison Dixieland Band - Jazz From Canada (LP, Album, Mono). Lance Harrison's Dixieland Band. The Vancouver Scene (Album). Lance Harrison Dixieland Band. Lance Harrison Dixieland Band (Album). Radio Canada International.
Singer: The Dave Robbins Group. Album: Jazz From Canada. 1, Radio Canada International – Prog. The Dave Robbins Group - Jazz From Canada MP3 version. A French Version titled "Jazz du Canada) was also avail. Both Versions had a slightly different tracklist.
Dixieland, sometimes referred to as hot jazz or traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. One of the first uses of the term "Dixieland" with reference to music was in the name of the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"). Their 1917 recordings fostered popular awareness of this new style of music.
Lance Harrison Dixieland Band by Lance Harrison Dixieland Band. Originally by King Oliver's Creole Jazz Band. I've Found a New Baby. Jack Palmer, Spencer Williams. Originally by Clarence Williams' Blue Five.
12 February at 03:17 ·. I've been thinking about this for some time. Part of why I haven't released anything new in a while. I have lots in the can, so to speak, but if nobody really gives a @ about my new music then why put it out there? When I've posted new music I get a few people that actually listen. And I get even fewer that actually listen more than a few seconds
1591 NBC THESAURUS 958 Jerry Sears Orch. flavored instrumental group) V+. 1592 NBC THESAURUS 1275 The Jumpin’ Jacks (vib, p, g, b, d) (both.
Band Music Dixieland Early Jazz New Orleans Jazz. Also Known As. Original Dixieland Jass Band. In the 1910s and 20s this legendary outfit brought emerging jazz music to the attention of millions.
Original Dixieland Jazz Band. 1918 promotional postcard showing (from left), drummer Tony Sbarbaro (aka Tony Spargo), trombonist Edwin "Daddy" Edwards, cornetist Dominick James "Nick" LaRocca, clarinetist Larry Shields, and pianist Henry Ragas. The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz single ever issued. The group made the first recordings, and claimed authorship, of many jazz. standards, the most famous being "Tiger Rag". In late 1917 the spelling of the band's name was changed to Original Dixieland Jazz Band.
Dixieland: Dixieland, in music, a style of jazz, often ascribed to jazz pioneers in New Orleans, L. but also descriptive of styles honed by slightly later Chicago-area musicians. The term also refers to the traditional jazz that underwent a popular revival during the 1940s and that continued to be played. A highly influential group, the ODJB also borrowed from the marching band tradition in employing the trumpet (or cornet), clarinet, and trombone as front-line instruments. The following year, the ODJB cut what is regarded as the first jazz record, Livery Stable Blues, which also became the first million-selling recording in history. This and subsequent ODJB recordings, such as Tiger Rag, Dixie Jazz Band One Step, and At the Jazz Band Ball, reflected the white style of playing: technically proficient but less experimental than black styles.
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